Away: A Novel | 
enlarge | Author: Amy Bloom Publisher: Random House Category: Book
List Price: $23.95 Buy New: $4.89 You Save: $19.06 (80%)
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Avg. Customer Rating: 91 reviews Sales Rank: 19133
Media: Hardcover Edition: 1 Number Of Items: 1 Pages: 256 Shipping Weight (lbs): 1.2 Dimensions (in): 9.2 x 6.2 x 1.1
ISBN: 1400063566 Dewey Decimal Number: 813.54 EAN: 9781400063567 ASIN: 1400063566
Publication Date: August 21, 2007 Availability: Usually ships in 1-2 business days
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Product Description Panoramic in scope, Away is the epic and intimate story of young Lillian Leyb, a dangerous innocent, an accidental heroine. When her family is destroyed in a Russian pogrom, Lillian comes to America alone, determined to make her way in a new land. When word comes that her daughter, Sophie, might still be alive, Lillian embarks on an odyssey that takes her from the world of the Yiddish theater on New York’s Lower East Side, to Seattle’s Jazz District, and up to Alaska, along the fabled Telegraph Trail toward Siberia. All of the qualities readers love in Amy Bloom’s work–her humor and wit, her elegant and irreverent language, her unflinching understanding of passion and the human heart–come together in the embrace of this brilliant novel, which is at once heartbreaking, romantic, and completely unforgettable.
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| Customer Reviews: Read 86 more reviews...
Gritty And Poignant July 8, 2008 This is a quest novel with a difference. Like Brecht, Amy Bloom has provided a constructivist montage which captures a time and an experience in memorial fashion.
Lillian Leyb has survived the worst of horrors in Europe--the loss of her entire family, murdered in a pogrom by people they formerly considered neighbors. In the space of minutes, the 22-year-old Lillian becomes an orphan, a widow and the mother of a dead child. In response to a letter from a cousin she's never met Lillian sells what little there is left of her homestead and sails for New York in 1924 "...wearing a dead woman's coat, holding a dead man's leather bag" in search of Opportunity.
She soon discovers all is not sweetness and light. Like emigrants then (and now) she soon discovers going from one place to another does not necessarily make life perfect. The tenements are crowded. There are rats and noise and dirt. There is fierce competition for jobs. There is a new language to learn. There is prejudice. There is never enough money for all that is required in the new life.
Lillian's father had told her smart is good, pretty is useful but lucky is better than both. He also told her "You make your own luck." She believes that. She also believes in Opportunity. She outsmarts another girl to win a seamstress job. She woos a handsome actor who installs her in an apartment as his mistress only to learn he is gay and it is his father whose mistress she will be. Still, life is better and she accepts the arrangement.
Then a newly arrived relative informs Lillian her daughter is not dead but was rescued and taken to Siberia by another family.
Shaken, Lillian begins another quest to retrieve her daughter, crossing the country, going up to the Yukon, buying a boat and attempting to sail across the Bering Strait. Some have found this segment unrealistic. But I don't think so. Wouldn't most mothers go to any lengths to reunite with a lost child?
In addition to Lillian, who is a memorable, admirable character in her own right, there are a host of other wonderful characters in this novel. The Bursteins, father and son; Yaakov Shimmelman, whose friendship with Lillian restores purpose to his life for a time; the prostitute, Gumdrop, and her pimp, Snooky Salt; Chinky Chang, the grifter who also believes in Opportunity, among others.
This is a gritty, funny and poignant book and well worth the read.
Disappointing July 4, 2008 I've read all of Bloom's books: they have all been excellent, whether novels, short stories, or nonfiction. As soon as I saw her new book in the store I snatched it right up, even in hardcover. Alas, even Mighty Casey once struck out. The narrative here wandered with no apparent sense of direction, taking time off in the middle for an irrelevant and distracting "lesbians in prison" diversion.
Here are haunting portraits of the people the heroine leaves behind in New York, and lines that are worth the trudge to find. But I'm used to Bloom having a transcendent and unconventional vision to convey, and I didn't catch one here.
Read Even a Blind Man or Come to Me, and Bloom will knock you for a loop. I'll never forget Love Is Not a Pie. She seems to be taking a detour here, maybe trying out new dance steps. I miss the Amy Bloom I met through her other books, and will hope to come across her again.
Moving, for the first 100 pages... July 3, 2008 I really liked this book at first. The writing was ethereal and fluid, pulling me in and carrying me through Lillian's story. I liked her character, and the characters around her in the first part of the book, where she is a broken hearted immigrant in NYC. Then she finds out that her daughter, whom she thought was dead, may still be alive in Russia. She takes a trek across the United States, heading for the Bering Straight with hopes of crossing to Siberia. Other reviewers have complained that its a ridiculous premise, but I didn't think so. I felt her pain for her daughter and believed she would be determined enough to make the trip.
But after she leaves NY, the book falls apart. She meets all of these characters, and the book is filled with graphic and gratuitous sex scenes that seem unnecessary as part of that narrative that had drawn me in. And in the end, this plucky determined character that I couldn't wait to get back to read about every day ends up going in a different direction than the one I got sucked into. Perhaps Bloom is trying to tell us that it's the journey that matters, but as a reader the climax of the novel left me feeling unsatisfied.
Love, love, loved it! June 28, 2008 1 out of 1 found this review helpful
Full disclosure: I'm a huge Amy Bloom fan. That said, I read reviews of this book in hardcover and didn't buy it, as I'm not typically a fan of historical fiction. I should have known better, given the author's genius with human issues and the language.
While traveling this week, I saw the paperback version of Away in an airport bookstore and bought it on a whim. I finished it 48 hours later after having my nose in it at every free moment of my business trip. The last paragraph brought me to tears.
There are those on this website who see Lillian as unbelievable and flat. I couldn't disagree more. While her adventures are wild and varied, and she shows little emotion regardless of what befalls her, I find that people who have been traumatized do exhibit a flatness and lack of emotion that I'm sure Bloom understands (comprehends, appreciates, fathoms). Sorry, couldn't resist...that is just one of the techniques in this story that I enjoyed.
As a parent, I completely understood Lillian's obsession with finding her daughter, even if her cousin's tale of Sophie's fate might have been self-serving and untrue. Lillian saw that and still clung to the hope that Sophie might be alive.
Ultimately, after all she had endured, her love for John Bishop allowed her emotions to thaw and their marriage and the consequent children she bore let her accept the loss of Sophie, whether or not Sophie was still alive somewhere. I see this as akin to a child given up for adoption and never located. People learn to adapt over time, though like all grief, they carry it with them forever, and unexpected events trip it, e.g. losing John in the crowd momentarily in San Francisco years later.
Finally, I appreciated (admired, esteemed, derived pleasure from) Bloom's historical detail, whether or not it was all completely factual.
I recommend this bookly highly and eagerly await Amy Bloom's next tale.
Love it or hate it! June 23, 2008 1 out of 1 found this review helpful
I received this book as a gift and knew nothing about it. It wasn't really what I expected but I was drawn in by the story and couldn't put it down. This book isn't always easy to read and it's not a warm and fuzzy story. Definitely on the dark side. There is a lot of sex but it isn't romantic at all. Lillian strikes me as a person who has been so traumatized by the loss of her family in Russia that she is practically dead inside. She doesn't seem to have the energy to care about herself. Then she finds out that her daughter may still be alive and she finds her reason to live. The middle part of the book was my least favorite because it was somewhat over the top. I could have used a touch more realism there. I thought the ending was great. I liked that it wasn't the expected ending but it made sense to me. I lent this to the person who gave it to me as a gift and she had almost the same reaction to it that I did. Very different story that at times is unsettling but kept my interest until the very end.
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