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On Chesil Beach

On Chesil Beach

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Author: Ian Mcewan
Publisher: Anchor
Category: Book

List Price: $13.95
Buy New: $3.30
You Save: $10.65 (76%)



New (69) Used (76) Collectible (3) from $2.33

Avg. Customer Rating: 4.0 out of 5 stars 219 reviews
Sales Rank: 3633

Media: Paperback
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 0.6
Dimensions (in): 8 x 5.4 x 1

ISBN: 0307386171
Dewey Decimal Number: 823.914
EAN: 9780307386175
ASIN: 0307386171

Publication Date: June 10, 2008
Availability: Usually ships in 1-2 business days

Also Available In:

  • Paperback - On Chesil Beach
  • Audio Cassette - On Chesil Beach
  • Hardcover - ON CHESIL BEACH
  • Hardcover - On Chesil Beach: A Novel
  • Hardcover - On Chesil Beach
  • Hardcover - On Chesil Beach (Random House Large Print (Cloth/Paper))
  • Kindle Edition - On Chesil Beach
  • Unknown Binding - On Chesil Beach
  • Audio CD - On Chesil Beach
  • Unknown Binding - On Chesil Beach
  • Audio Download - On Chesil Beach (Unabridged)
  • Audio CD - On Chesil Beach

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Editorial Reviews:

Amazon.com Review
Such is Ian McEwan's genius that, despite rambling nature walks and the naming of birds, his subject matter remains hermetically sealed in the hearts of two people.

It is 1962 when Edward and Florence, 23 and 22 respectively, marry and repair to a hotel on the Dorset coast for their honeymoon. They are both virgins, both apprehensive about what's next and in Florence's case, utterly and blindly terrified and repelled by the little she knows. Through a tense dinner in their room, because Florence has decided that the weather is not fine enough to dine on the terrace, they are attended by two local boys acting as waiters. The cameo appearances of the boys and Edward and Florence's parents and siblings serve only to underline the emotional isolation of the two principals. Florence says of herself: "...she lacked some simple mental trick that everyone else had, a mechanism so ordinary that no one ever mentioned it, an immediate sensual connection to people and events, and to her own needs and desires...."

They are on the cusp of a rather ordinary marital undertaking in differing states of readiness, willingness and ardor. McEwan says: "Where he merely suffered conventional first-night nerves, she experienced a visceral dread, a helpless disgust as palpable as seasickness." Edward, having denied himself even the release of self-pleasuring for a week, in order to be tip-top for Florence, is mentally pawing the ground. His sensitivity keeps him from being obvious, but he is getting anxious. Florence, on the other hand, knows that she is not capable of the kind of arousal that will make any of this easy. She has held Edward off for a year, and now the reckoning is upon her.

McEwan is the master of the defining moment, that place and time when, once it has taken place, nothing will ever be the same after it. It does not go well and Florence flees the room. "As she understood it, there were no words to name what had happened, there existed no shared language in which two sane adults could describe such events to each other." Edward eventually follows her and they have a poignant and painful conversation where accusations are made, ugly things are said and roads are taken from which, in the case of these two, the way back cannot be found. Late in Edward's life he realizes: "Love and patience--if only he had them both at once--would surely have seen them both through." This beautifully told sad story could have been conceived and written only by Ian McEwan. --Valerie Ryan

Product Description
In 1962, Florence and Edward celebrate their wedding in a hotel on the Dorset coast. Yet as they dine, the expectation of their marital duties weighs over them. And unbeknownst to both, the decisions they make this night will resonate throughout their lives. With exquisite prose, Ian McEwan creates in On Chesil Beach a story of lives transformed by a gesture not made or a word not spoken.


Customer Reviews:   Read 214 more reviews...

3 out of 5 stars Romantic Chance Lost   January 5, 2009
 1 out of 1 found this review helpful

Ian McEwan writes a love story in "On Chesil Beach." Taking his time to bring us firmly into the wedding night anticipated by both Florence and Edward (Florence with fearful disgust of what is in store, and Edward in ecstatic longing), McEwan also carries us back into their courtship and into their own histories, so that by the time the wedding bed is reached, we are hoping so much for the young couple that it will not be the disaster it portends to be.

It is McEwan's ease with us, his taking the time to unfold slowly and easily, yet never dully or unnecessarily, the peculiar and unique circumstances of the two young people, that makes us complicit partners in the outcome. Florence and Edward are as well known to us as they are to themselves, and certainly better known to us than to each other. What is left unsaid between them -- what they do not know about each other -- is in the end the reason for great pain. Because we know so much, we feel anguish; we feel real discomfort that we cannot reach across the pages and shake them each, just a little.

Florence and Edward are not stock characters, one a musician of a privileged family, the other a historian from a thwarted family. They are much more than their circumstances: they are unique responses to the facts of their background, and education, their choice in love and marriage, and their placement in time, just before a freeing up of sexual expression and frank talk. But this is not a book about sex and one's appetite ( or not) for it. It is a book about why these two people, in love and married, cannot talk about, or do, the things that will bring them together. There is always a chasm of (mis)understanding between two people, always things we do not know or fully understand about the people we love so much. It is the act of going across that chasm, with a gesture or a word, that creates a connection. The understanding and the knowledge will never be complete, but our efforts at connection can make up for our failures.

McEwan is deeply romantic and I would argue that his deep romanticism is his only flaw, in that it leads him to write situations that do not resonate as truth. After the whole book leads us willingly along because of its deep truthfulness -- we know and believe these characters completely -- we find ourselves suddenly jarred and shocked by the one act of omission that throws entire lives out of whack. It just seems a bit much. McEwan states: "This is how the entire course of a life can be changed -- by doing nothing." Yes, that's true; but in reality, between people in love (and not just romantic love), there is never just the one failure: most of us will try again and again to connect with one we love. We will let our loved one back in, perhaps too many times, to try again for a state of grace and understanding. And as a realist, even a romantic realist, I argue that we have many chances to make good on our failures; not as many as we would wish for and maybe not as many as we need, but certainly we have more than just one try to get it right. But maybe I am the deep romantic here, and McEwan the harsh realist.

For more, go to www.readallday.org



2 out of 5 stars Bittersweet tale, ultimately trite   December 18, 2008
 0 out of 1 found this review helpful

Ian McEwan set himself the writerly task of composing a novel whose entire action takes place in just a few hours and succeeded. However, along the way he failed to help the reader much care about the young couple whose lives turn on a dime on their honeymoon night. The characters are so two-dimensional that their cataclysm fails the believability test. No one THAT much in love could behave THAT stupidly.

McEwan is handy with a phrase, however vacuous the result. If you are fond of TV drama, this may just be your ticket, but life is short and there are more good books to read than you will ever have time to open.



2 out of 5 stars On Boring Beach   November 24, 2008
 1 out of 2 found this review helpful

The premise of the book is nice....a young couple and the struggle to consumate their marriage on their wedding night. Only it falls very short.
It's boring, and lacks a lot of character build. It seems like the wedding is only about the consumation, and not because these two people want to be together. Well, it sorta is....there is not enough here to fill up a book, and it's a half hearted attempt. Ian McEwan can, and has done better. This book was a quick read, but was boring, and was not remarkable in any way. There was nothing special about this book or the story. The only thing that makes it readable is that Ian McEwan is atleast a good writer, his style is good, so it was not completely awful to read. I feel like he spit this one out though, as I kept waiting for something to happen and it never did.
I've read worse,but I've read a lot better too.



5 out of 5 stars Jeweler's Eye   November 19, 2008
 3 out of 4 found this review helpful

With meticulous precision, Ian McEwan examines the wedding night of an innocent couple, who marry in 1962 and spend their first night alone together at a hotel on Chesil Beach. In always elegant prose, McEwan displays his great gift for describing the particular and making it universal. In this case, he turns his jeweler's eye on the misunderstandings between a young man and young woman, deeply in love and deeply inhibited. Recommended for anyone who has ever loved or hoped to love.


2 out of 5 stars Anticlimactic   November 16, 2008
 1 out of 3 found this review helpful


This book would have made a good short story. The plot was too weak
and too drawn out for a full length novel. I was disappointed in this
book.


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